davinci resolve » Dan Evsky

CineCraft Pro+ | Film Emulation PowerGrade + DCTL

Dan Evsky — Mon, 03 Mar 2025 22:54:53 +0000

CineCraft PRO+

Film Emulation PowerGrade for DaVinci Resolve

Bring authentic motion picture film aesthetics to your digital projects with meticulously crafted Power Grade and custom DCTL scripts.

Optimized for ALL MAJOR CAMERA SYSTEMS

ARRI Log C

Blackmagic Film

Sony S-Log3

Canon C-Log

RED Log3G10

Nikon N-Log

Panasonic V-Log

Fujifilm F-Log

iPhone ProRes Log

Authentic Film Aesthetics

See the difference specifically designed color science makes.
CineCraft Pro+ brings the rich, organic quality of motion picture film to your digital projects through precision-engineered film emulation.

Film Stock Emulations

https://danevsky.com/wp-content/uploads/2025/03/250D.mp4

KODAK VISION3 250D (5219)

Optimized for daylight (5500K) with neutral skin tones and legendary highlight handling.
Ideal for: Exterior, Natural Light

https://danevsky.com/wp-content/uploads/2026/02/500T-vp9-chrome.webm

KODAK VISION3 500T (5219)

Perfect for tungsten lighting (3200K). Features unique halation and rich, saturated colors.
Ideal for: Night, Interior, Moody

https://danevsky.com/wp-content/uploads/2025/03/25D-vp9-chrome.webm

KODAK VISION 2383 Print Film

The “Big Screen Look”. Recreates the contrast and density of projected motion picture print film.
Ideal for: Final Output, Theatrical Look

Six Powerful DCTL Scripts

CC+ Vision Color

Advanced film stock emulation algorithm.

CC+ 2383 Print

Authentic print film process simulation.

CC+ Film Matrix

Sophisticated color cross-talk simulation.

CC+ Contrast

Film-like natural highlight rolloff.

CC+ Gamut

Precise color space conversion tool.

CC+ Saturation

Advanced natural skin tone control.

Complete Film Workflow Pipeline

Input Transform – Camera color space to LogC/DWG
Linear Conversion – Accurate light space processing
Film Matrix – Channel cross-talk rendering
Exposure – Primary adjustments in linear
Halation – Realistic light bloom
Film Emulation – Vision color & grain
2383 Print – Final theatrical look

Visual Comparisons

CineCraft PRO+ Sony Slog3

Cinecraft PRO+ ArriLogC

CineCraft PRO+ D65 CineCraft PRO+ D55

CineCraft PRO+ D55 Blackmagic Design Wide Gamut Gen 5

The post CineCraft Pro+ | Film Emulation PowerGrade + DCTL appeared first on Dan Evsky.

ARRI ALEXA LUT for URSA Mini PRO 12K

Dan Evsky — Sat, 29 Jan 2022 19:24:12 +0000

ARRI ALEXA LOOK

FOR URSA MINI PRO 12K

Add a touch of Hollywood to your URSA Mini 12K footage.
Engineered by Static Motion to match the characteristic roll-off and dynamic range of ARRI Alexa cameras.

Included LUT Variations

Two distinct paths to the ARRI aesthetic.

UMINI Arri_FILM

Style: Cinematic / Stylized

Gives your footage a saturated, film-like appearance with distinct red, blue, and green shades.
Designed for flat profiles or BRAW. Get a finished cinematic look instantly with minimal adjustments.

UMINI Arri_Natural

Style: Natural / Rec.709 Base

A neutral starting point identical to the classic ARRI ALEXA color space.
Perfect for aggressive color grading, allowing you to build your own look on a solid, filmic foundation.

See it in Action

URSA Mini 12K Demo

Watch how the LUT handles the massive 12K resolution and dynamic range, transforming raw sensor data into pleasing film colors.

Sample footage by: Blackmagic Design

BRAW Workflow

Shooting in BRAW?

For optimal results with these LUTs, set your raw decoding settings to:

▸ Color Space: Blackmagic Design
▸ Gamma: Blackmagic Design Film

Compatibility

DaVinci Resolve

Adobe Premiere Pro

Final Cut Pro X

After Effects

URSA Mini Pro 12K

BRAW Ready

The post ARRI ALEXA LUT for URSA Mini PRO 12K appeared first on Dan Evsky.

ARRI ALEXA LOOK – ARRI LUT for Canon EOS R5, R5C, R6, C70

Dan Evsky — Wed, 10 Mar 2021 09:42:18 +0000

ARRI ALEXA LOOK

FOR CANON R5C / R5 / R6 / C70

Hello Filmmakers! Transform your Canon footage into ARRI Alexa aesthetics.
Custom engineered by Static Motion for Canon Cinema Gamut profiles.

Supported Log Profiles

Choose the right curve for your shooting scenario.

Canon Log

Best for mixed footage when using different Canon cameras simultaneously. A solid middle ground.

Canon Log 2

Maximum Dynamic Range. Has more noise than C-Log 3 but retains the most information in shadows. Great for heavy grading.

Canon Log 3

The Hybrid Choice. More contrasty than Log 2 but with significantly less shadow noise. The most versatile and quickest tool.

Cinematic Results

Cinematic Skin Tones

Maintains the skin’s natural color with the characteristic ARRI roll-off.

Sample footage credit: Moc Nguyen
Style: Arri Alexa / Film

Visual Transformation

From C-Log to Final ARRI Look.

1. C-Log Source

2. Standard Rec.709

3. ARRI Conversion Look

Dynamic Range Test

See how the conversion handles highlights and shadows in high-contrast scenarios.

Sample footage credit: Hugo Will
Mood: Natural / High Contrast

Important Settings

Using RAW? Ensure correct settings in your NLE for the best result.

Compatibility

Optimized for Canon Cinema Gamut

Canon R5

Canon R5 C

Canon R6

Canon C70

DaVinci Resolve

Premiere Pro

Final Cut Pro X

After Effects

The post ARRI ALEXA LOOK – ARRI LUT for Canon EOS R5, R5C, R6, C70 appeared first on Dan Evsky.

ARRI ALEXA LOOK – ARRI LUT BlackMagic Cinema Camera 6K | BMPCC 4K | PRO

Dan Evsky — Wed, 10 Mar 2021 09:41:30 +0000

ARRI ALEXA LOOK

ARRI LUT FOR BMPCC 4K / 6K PRO (Gen4 / Gen5)

Hello Filmmakers! Meet the updated v.2 package. Engineered for even better highlight roll-off and the most film-like appearance known from Arri Alexa cameras.

Key Features

Updated to Gen 5

Fully compatible with Blackmagic Gen 4 & Gen 5 color science.

Natural Skin Tones

Maintains the skin’s natural color with characteristic ARRI roll-off.

BRAW Ready

Works instantly with BRAW (Blackmagic Design Film gamma).

The 2-Step Process

I divided the look into 2 steps to achieve the ultimate film emulation matching.

Sensor Matching – Aligns BMPCC sensor characteristics to ARRI color science.
Applying Look – Adds the aesthetic curve, contrast, and color mapping.

Included LUT Variations

BMP46K Arri_FILM

Features saturated reds and distinct film-like blue/green shades. A stylized, cinematic aesthetic ready to go.
Style: Cinematic / Stylized

BMP46K Arri_Natural

No color cast – simply the classic ARRI ALEXA color space. Perfect base for your own aggressive color grading.
Style: Natural / Rec.709 Base

Workflow Compatibility

DaVinci Resolve

Adobe Premiere Pro

Final Cut Pro X

After Effects

Blackmagic Gen 4

Blackmagic Gen 5

The post ARRI ALEXA LOOK – ARRI LUT BlackMagic Cinema Camera 6K | BMPCC 4K | PRO appeared first on Dan Evsky.