luts » Dan Evsky

ARRI ALEXA LOOK – ARRI LUTs for Sony S-Log2, S-Log3

Dan Evsky — Mon, 02 May 2022 14:30:39 +0000

ARRI LOOK FOR SONY

Premium LUTs for FX3, FX30, A7S III, A7 IV

Hello Filmmakers! Transform your Sony S-Log2 / S-Log3 footage into premium ARRI-inspired cinematic imagery with our advanced film emulation Power Grades.

Key Features

Superior to Basic LUTs

Unlike limited LUTs, offers complete flexibility for contrast and saturation adjustments.

Professional Workflow

Two-step process (Sensor Matching → Film Look) delivers exceptional highlight roll-off.

Optimized for S-Log3

Perfect alignment with native ISO points (640 & 12800) for clean shadows.

What’s Included

ARRI FILM LOOK

Premium cinematic look with authentic dynamic range. Maintains natural skin tones with saturated reds and film-like blue/green shades.
Style: Cinematic / Rich Colors

ARRI NATURAL (Rec709)

Classic ARRI ALEXA color space without color cast. Perfect base for more aggressive color grading while maintaining highlight quality.
Style: Natural / Clean Base

Pro Tips for Best Results

Shoot S-Log3 – Take full advantage of 10-bit recording and Dynamic Range.
Native ISO – Stick to 640 ISO or 12800 ISO for the cleanest image.
Contrast Control – Use S-Curves for adjustments while keeping the film-like rolloff.

How to Use CineCraft PRO+

Complete Walkthrough

Learn how to apply the Power Grade, adjust exposure, and customize the look for your specific project needs.

Supported Software & Cameras

Sony FX3

Sony FX30

Sony A7S III

Sony A7 IV

DaVinci Resolve

Adobe Premiere

Final Cut Pro

The post ARRI ALEXA LOOK – ARRI LUTs for Sony S-Log2, S-Log3 appeared first on Dan Evsky.

ARRI ALEXA LOOK – ARRI LUT for Canon EOS R5, R5C, R6, C70

Dan Evsky — Wed, 10 Mar 2021 09:42:18 +0000

ARRI ALEXA LOOK

FOR CANON R5C / R5 / R6 / C70

Hello Filmmakers! Transform your Canon footage into ARRI Alexa aesthetics.
Custom engineered by Static Motion for Canon Cinema Gamut profiles.

Supported Log Profiles

Choose the right curve for your shooting scenario.

Canon Log

Best for mixed footage when using different Canon cameras simultaneously. A solid middle ground.

Canon Log 2

Maximum Dynamic Range. Has more noise than C-Log 3 but retains the most information in shadows. Great for heavy grading.

Canon Log 3

The Hybrid Choice. More contrasty than Log 2 but with significantly less shadow noise. The most versatile and quickest tool.

Cinematic Results

Cinematic Skin Tones

Maintains the skin’s natural color with the characteristic ARRI roll-off.

Sample footage credit: Moc Nguyen
Style: Arri Alexa / Film

Visual Transformation

From C-Log to Final ARRI Look.

1. C-Log Source

2. Standard Rec.709

3. ARRI Conversion Look

Dynamic Range Test

See how the conversion handles highlights and shadows in high-contrast scenarios.

Sample footage credit: Hugo Will
Mood: Natural / High Contrast

Important Settings

Using RAW? Ensure correct settings in your NLE for the best result.

Compatibility

Optimized for Canon Cinema Gamut

Canon R5

Canon R5 C

Canon R6

Canon C70

DaVinci Resolve

Premiere Pro

Final Cut Pro X

After Effects

The post ARRI ALEXA LOOK – ARRI LUT for Canon EOS R5, R5C, R6, C70 appeared first on Dan Evsky.

ARRI ALEXA LOOK – ARRI LUT BlackMagic Cinema Camera 6K | BMPCC 4K | PRO

Dan Evsky — Wed, 10 Mar 2021 09:41:30 +0000

ARRI ALEXA LOOK

ARRI LUT FOR BMPCC 4K / 6K PRO (Gen4 / Gen5)

Hello Filmmakers! Meet the updated v.2 package. Engineered for even better highlight roll-off and the most film-like appearance known from Arri Alexa cameras.

Key Features

Updated to Gen 5

Fully compatible with Blackmagic Gen 4 & Gen 5 color science.

Natural Skin Tones

Maintains the skin’s natural color with characteristic ARRI roll-off.

BRAW Ready

Works instantly with BRAW (Blackmagic Design Film gamma).

The 2-Step Process

I divided the look into 2 steps to achieve the ultimate film emulation matching.

Sensor Matching – Aligns BMPCC sensor characteristics to ARRI color science.
Applying Look – Adds the aesthetic curve, contrast, and color mapping.

Included LUT Variations

BMP46K Arri_FILM

Features saturated reds and distinct film-like blue/green shades. A stylized, cinematic aesthetic ready to go.
Style: Cinematic / Stylized

BMP46K Arri_Natural

No color cast – simply the classic ARRI ALEXA color space. Perfect base for your own aggressive color grading.
Style: Natural / Rec.709 Base

Workflow Compatibility

DaVinci Resolve

Adobe Premiere Pro

Final Cut Pro X

After Effects

Blackmagic Gen 4

Blackmagic Gen 5

The post ARRI ALEXA LOOK – ARRI LUT BlackMagic Cinema Camera 6K | BMPCC 4K | PRO appeared first on Dan Evsky.