ARRI ALEXA LOOK – ARRI LUT BlackMagic Cinema Camera 6K | BMPCC 4K | PRO
Hello Filmmakers!
In this package you will find 2 LUTs custom created by Static Motion. UPDATED! TO GEN 5 and VERSION 2
The first of them is the most film-like appearance while maintaining the characteristic roll-off and dynamic range. It maintains the skin’s natural color with a look that is known from arri alexa cameras.
ARRI ALEXA LOOK – ARRI LUT FOR BMPCC 4K / 6K PRO (Gen4 / Gen5)
Hello Filmmakers!
Let me introduce you updated version fo Arri LUT v.2 for BMPCC4k 6k Pro. With even more better highlight roll-off. But you can still use ver.1 if you prefer it more.
In this package you will find 2 LUTs custom created by Static Motion. UPDATED TO GEN 5!
I divided the look into 2 steps.
1. sensor matching
2. applying look
which gives even better highlight roll-off.
The first of them is the most film-like appearance while maintaining the characteristic roll-off and dynamic range. It maintains the skin’s natural color with a look that is known from Arri Alexa cameras.
It doesn’t require too much. I prepared it so that after aplying to footage recorded in PRORES “BlackMagic Film GEN4 or GEN5” a flat profile or b-raw looks good right away.
You can add some contrast or saturation but it’s on your side.
BMP46KArri_FILM has saturated red and film blue and green shade.
The second LUT is the same feeling more natural when you want to play with a more aggressive color grading.
BMP46KArri_Natural o color cast simply classic color space ARRI ALEXA.
If you are recording in BRAW format, you can set color space as Blackmagic Design and gamma as Blackmagic Design film. Both GEN4 or GEN 5
These LUTs work in Final Cut Pro X as well as in Adobe Premiere Pro, After Effects, and DaVinci Resolve.
Sample Images by Chris Watkins and Blackmagic